The latest Mad Maggies’ release is a tune I wrote for my father Cal Leonard Martin. I didn’t really know him. I was not quite 4 when he died from a head injury. He was just shy of 29 years old. The cause was a fight, in the wee hours at Compton’s Cafe in San Francisco’s Tenderloin district. The altercation most likely happened after playing music and/or being at one of the many music clubs. Alcohol was involved.

The little I do know is that he was born in Greenfield, Monterey County, California. He flew a crop duster airplane called “Buttercup” in the Salinas Valley, (one of the most productive agricultural areas in California). He played trumpet and clarinet and he worked in a music store in nearby Monterey before he enlisted in the Marine’s to fight in World War II at 17 years old. After the war he opened a Radio and TV repair shop in SF on Haight Street, a block from Asbury Street. The address on my birth certificate is a few doors down.

I figure what musical DNA I have, some of it, for sure, came from Cal. My mother had a sense of design and photography, but no musicality. Oddly, of my three sisters, I was the only one who got the music gene. So, though my father didn’t live long enough to know me, he gave me music. This tune is my thank you to him for that.

When the Mad Maggies first recorded Cal’s Waltz in 2006 we played it at a rather clippy 148 bpm which gives the tune a country waltz feel. In this new recording, we play it at a more grand ballroom tempo of 110 bpm. It’s nostalgic, with a touch of sadness of what might have been.

I was rummaging through my archives and found a tape transfer of my singing variations of “Black Is the Color”. One vocal variation in particular inspired me to make a mix, with synths and my accordion of course, because, as I say often, accordions go with everything.

This love song has been around a very long time. Though its origins are not known for sure, it most likely made its way from Scotland to the Appalachia region in the US, the lyrics and melody evolving along the way.

I remember learning the melody when I was a wee lass by picking out notes on a spinet piano. The melody has stuck with me ever since. This is how I hear it, a bit different perhaps than others but isn’t that just what happens to folk tunes as they pass through time? ☺

I just found out that “folktronic” is a genre. Who knew? 🙂

Enjoy this horn rich, bass forward, guitar sparkled, accordion laced instrumental with a sweet celebratory and exultant feel.

Guitar: Gary “GDub” Wium
Bass: Paul Olguin
Drums: Ian Luke
Trumpet & Fluegelhorn: Mark Nemoyten
Trombone: Ned Stone
Tuba: Johny Blood
and yours madly on Accordion

Music: M. Martin / ©Squeezin’ Diva Music / BMI

Released on the Winter Solstice 2024

For a hi-fi download visit our Bandcamp.

Be sure and follow us on BandCamp and subscribe to our YouTube channel. Click that YouTube “Like” button — it’s an easy, free way to support us.

 

About that Embroidery

File under “Wonders”

I embroidered this for a gift for a friend in the mid 1970s. I had forgotten about it until the man’s daughter wrote to me after he had died about 15 years ago. He had kept the piece all those years moving from Marin County, California to Kauai, Hawaii. In a super sweet gesture, she sent it back to me. A flash from the past for real.

I had never finished it completely, probably running out of time before I needed to present it. So onto my “to do” list it went.

The first task of refreshing the piece entailed opening up the frame, removing the piece and hand washing it – it needed it. Amazingly, the DMC brand Pearl Cotton threads washed up as bright as new.

Next, I had to fill in the spaces to complete the design. It had been decades since I embroidered anything but some skills just don’t fade. The majority of the stitches are “french knots” which are labor intensive and use a LOT of thread. Whatever possessed me to fill a 10″ circle with french knots is a wonder unto itself.

The frame was dinged and whatever gold leaf had corroded – humidity in Hawaii is a thing. I opted for buying a slightly larger frame so the new, now completed border stitches would have some space around them. I then sewed a loose running stitch on the outer edges of the fabric and pulled it to gather up the excess as I stretched it over a stiff paper board and placed the piece back into the frame. I didn’t use glass (there are differing opinions in needlework circles about covering embroidery). It came out nicely.

The sentiment that “Wonders Never Cease” is one I’ve had all my life. This piece of art making its way back to me definitely affirms that.

I wish you all a ghoulorius Pagan New Year / Halloween / El Día de Los Muertos! 🎃 🎃 🎃

Calm On is my most recent video. It features the beauty of Lake Okanagan, Penticton, BC and its current autumnal, avian denizens. The music is ambient electronica with accordion. Yes, accordions go with every kind of music!

Watch and enjoy a few moments of calm.

All the Rage is a spoken word YouTube “Short” — 60 seconds. Yes, there is some accordion.

I describe the piece like so:

“Something wonderful happens to a woman when she lives long enough, don’t ya think?”

Be sure and follow on BandCamp and subscribe to the Mad Ms YouTube channel.

We’re busy preparing for our shows in August so I gave the band a break from recording this month. I still wanted to publish a video so I put the finishing touches on a tune I composed in 2022. “flow like so” is a synth-soaked ambient piece with accordion. I built the mesmerizing, relaxing, chill video with footage from the Penticton, BC dam and channel.

Accordions belong anywhere in any genre, even flow. No musical borders. That’s my contention and I’m sticking with it. 🙂

For music nerds, the time signature is 7/4. The accordion is my musette tuned Weltmeister Achat. The synths sounds are all in GarageBand (the free Apple app) which just goes to show that possibilities are endless if you have a creative streak and like to play with sonic landscapes.

For a hi-fi audio file of “flow like so” visit our BandCamp: https://themadmaggies.bandcamp.com/track/flow-like-so

As I was writing California Love, I kept “hearing” a harp version. I asked fab multi-instrumentalist and longtime friend Roxanne Oliva if she’d like to do it and happily she said yes.

She recorded her tracks at her home studio, playing her Celtic harp, a 22 string Stoney End. She sent the tracks to me and I added parts. Next step was to Wally Sound for mixing and mastering mix. The result is a lovely instrumental, a movie soundtrack.

To listen and/or download a hi-fi version, go to our BandCamp.

I had oodles of fun playing with the theme of “hearts coming together” in the music video.


 

newspaper photo clipping of Rox and MagsRoxanne and I have known each other since the mid 1980s, having met at Sonoma State University. We performed together in Mixed Company, a mixed-media theater company I formed with choreographer/director Diana Keener. (I must say, the shows we produced were waaaay before their time.)

We have criss-crossed in the musical world ever since.

I particularly love that neither one of has stopped making music. Can’t keep a dedicated artist down!
Check out Roxanne’s BandCamp.

I gathered up a few musician friends to record some of my tunes on February 14, 2004. What was a one album project turned into a crazy 20 year musical ride. Wow!

We’re celebrating with a new tune: Hold On, Let Go

Available for download on our BandCamp

Enjoy the very danceable rhythm — a line dance shuffle, perhaps.
And, the chorus is just asking for you to singalong. Go for it!

One of the most valuable skills in life is knowing when to take chances and stay in the fray and knowing when the smart move is to walk away.

That hint of free will feels good in this crazy game of life.

Meanwhile, it’s not time for me to “let go” just yet.
I have quite a few tunes in the hopper. 😉

View on YouTube.

We’re booking some nice shows in August. So stay tuned.
Sign up for our newsletter “Mad Alerts”
Subscribe to our YouTube channel

Here’s my next “Mags’ Jazz” piece — storytelling and music inspired by Ken Nordine’s “Word Jazz” style.

In “Out of Proportion“, a shopping mishap leads a woman to discover that clothes don’t make the woman…or the man.

And naturally, there is accordion.

Enjoy the video on our YouTube channel.

Please hit the like button and subscribe to our channel. That’s a super easy way to support us.

Music & Lyrics by M. Martin
Musicians:
Maggie “Mags” Martin: composer, vocals, accordion, & synths
Gary “GDub” Wium: bass

USC7U2301002

“However Improbable” is a confection of ska, border polka, country, dance and brass band. The tune, written by yours madly, is a perfect example of the Mad Maggies “Hard to Describe, Easy to Love” style.

When you have eliminated the impossible, whatever remains, however improbable, must be the truth.

-– Sir Arthur Conan Doyle, stated by Sherlock Holmes

Watch the video However Improbable on our YouTube channel.

The video features fantastic, detailed illustrations by Montreal artist Daniel Fiorito.

For a high quality audio file, go to our BandCamp.

Post Navigation