New tune: “flow like so” – mesmerizing accordion & electronica

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We’re busy preparing for our shows in August so I gave the band a break from recording this month. I still wanted to publish a video so I put the finishing touches on a tune I composed in 2022. “flow like so” is a synth-soaked ambient piece with accordion. I built the mesmerizing, relaxing, chill video with footage from the Penticton, BC dam and channel.

Accordions belong anywhere in any genre, even flow. No musical borders. That’s my contention and I’m sticking with it. 🙂

For music nerds, the time signature is 7/4. The accordion is my musette tuned Weltmeister Achat. The synths sounds are all in GarageBand (the free Apple app) which just goes to show that possibilities are endless if you have a creative streak and like to play with sonic landscapes.

For a hi-fi audio file of “flow like so” visit our BandCamp: https://themadmaggies.bandcamp.com/track/flow-like-so

More Vintage Electronica

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Before I veered into the world of squeezeboxes and the musical ensemble project of the Mad Maggies, I was busy creating soundscapes and songs for theatre and dance performances.

Recently two collectors of electronica from the 80s and 90s contacted me having found “Limines” on our Bandcamp. Did I have more cassettes? Did I have more music? Would I consider a re-release?

This got me thinking about my early material. What almost forgotten, almost lost, musical gems were waiting to be heard again? I went looking and uncovered several works tucked away on tape cassettes, hi-speed tape cassettes, digital sequences and archived folders.

After a bit of dusting off – volume levels, stereo balance, a pinch of tape pitch correction, I uploaded a set of tracks and compiled them as an album on our Bandcamp called “Lost & Found”.

If you enjoy moody, cinematic, quirky, fascinating sonic experiences, you will certainly find listening worthwhile. Of course, I’d love to hear what you think.


For electronic music nerds, I used an array of synths including ESQ-1, DX7, Juno 106, SQ-80.

I played most of these tracks in real time into the sequencing software, or in the case of the SQ-80, onto the onboard sequencer. The feel is natural, even, at times, imprecise.

I wrote some of the tunes for particular commissions, others just because, well, I just can’t help writing music.