The latest Mad Maggies’ release is a tune I wrote for my father Cal Leonard Martin. I didn’t really know him. I was not quite 4 when he died from a head injury. He was just shy of 29 years old. The cause was a fight, in the wee hours at Compton’s Cafe in San Francisco’s Tenderloin district. The altercation most likely happened after playing music and/or being at one of the many music clubs. Alcohol was involved.

The little I do know is that he was born in Greenfield, Monterey County, California. He flew a crop duster airplane called “Buttercup” in the Salinas Valley, (one of the most productive agricultural areas in California). He played trumpet and clarinet and he worked in a music store in nearby Monterey before he enlisted in the Marine’s to fight in World War II at 17 years old. After the war he opened a Radio and TV repair shop in SF on Haight Street, a block from Asbury Street. The address on my birth certificate is a few doors down.

I figure what musical DNA I have, some of it, for sure, came from Cal. My mother had a sense of design and photography, but no musicality. Oddly, of my three sisters, I was the only one who got the music gene. So, though my father didn’t live long enough to know me, he gave me music. This tune is my thank you to him for that.

When the Mad Maggies first recorded Cal’s Waltz in 2006 we played it at a rather clippy 148 bpm which gives the tune a country waltz feel. In this new recording, we play it at a more grand ballroom tempo of 110 bpm. It’s nostalgic, with a touch of sadness of what might have been.

I was rummaging through my archives and found a tape transfer of my singing variations of “Black Is the Color”. One vocal variation in particular inspired me to make a mix, with synths and my accordion of course, because, as I say often, accordions go with everything.

This love song has been around a very long time. Though its origins are not known for sure, it most likely made its way from Scotland to the Appalachia region in the US, the lyrics and melody evolving along the way.

I remember learning the melody when I was a wee lass by picking out notes on a spinet piano. The melody has stuck with me ever since. This is how I hear it, a bit different perhaps than others but isn’t that just what happens to folk tunes as they pass through time? ☺

I just found out that “folktronic” is a genre. Who knew? 🙂

I wish you all a ghoulorius Pagan New Year / Halloween / El Día de Los Muertos! 🎃 🎃 🎃

Calm On is my most recent video. It features the beauty of Lake Okanagan, Penticton, BC and its current autumnal, avian denizens. The music is ambient electronica with accordion. Yes, accordions go with every kind of music!

Watch and enjoy a few moments of calm.

All the Rage is a spoken word YouTube “Short” — 60 seconds. Yes, there is some accordion.

I describe the piece like so:

“Something wonderful happens to a woman when she lives long enough, don’t ya think?”

Be sure and follow on BandCamp and subscribe to the Mad Ms YouTube channel.

We’re busy preparing for our shows in August so I gave the band a break from recording this month. I still wanted to publish a video so I put the finishing touches on a tune I composed in 2022. “flow like so” is a synth-soaked ambient piece with accordion. I built the mesmerizing, relaxing, chill video with footage from the Penticton, BC dam and channel.

Accordions belong anywhere in any genre, even flow. No musical borders. That’s my contention and I’m sticking with it. 🙂

For music nerds, the time signature is 7/4. The accordion is my musette tuned Weltmeister Achat. The synths sounds are all in GarageBand (the free Apple app) which just goes to show that possibilities are endless if you have a creative streak and like to play with sonic landscapes.

For a hi-fi audio file of “flow like so” visit our BandCamp: https://themadmaggies.bandcamp.com/track/flow-like-so